Shlomo Kugler, Founder of Benchmark Commercials
Shlomo Kugler is the founder of Benchmark Commercials, a video production company for personal injury law firms nationwide. Over a thousand interviews across his career, hundreds of them with attorneys, clients and families.
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I have been making video since I was six years old, cutting family slideshows together in Windows Movie Maker.
Short films by twelve. Paid work by fifteen, making promotional videos for schools and organizations. It went from there.
The early years were nonprofits, helping raise money against specific fundraising goals. Then companies with revenue targets. In both cases the job was never really the video. It was getting an organization from point A to point B, and working out what had to be said, and to whom, for that to happen.
I decided at twelve that I was going to have a video company. For my bar mitzvah my grandmother bought me a Mac, for one reason, so I could put Final Cut on it and learn to edit at a level that would let me take real jobs. I have been paying my own way since.
Years later, married with a baby at home, the business was not working. I was trying to get out of doing only nonprofit work and into the corporate world, and I was chasing anything that moved. Dental offices, mostly. I cold called them all day, every day, for months. When that stopped producing anything I printed brochures and went out knocking on doors instead.
One afternoon I had done about ten offices and taken a hard rejection at the last one. I was in my 05 Camry, sitting in a left turn lane on a busy road, waiting to turn into a CVS parking lot. An F-150 came at me from behind doing close to fifty, I would guess. It happened that fast. It slammed into my car and spun me a full 180 into the other side of the road. The airbags never deployed and my face went into the steering wheel. The driver had just come out of the courthouse from a case of his own.
People came out of the buildings around us. I went to the hospital in an ambulance and, thank G-d, I was fine, but the whiplash kept me on the couch for weeks and I could barely turn my neck.
A day or two after I got the car back, the body shop that had repaired it burned to the ground with every car they were working on still inside. Mine had already come home. I have never been able to read that as nothing. That car was meant to stay with me.
That is where I was, lying there unable to move and unable to pay my bills, when a legal marketing company called. They wanted Benchmark to be their primary preferred video partner for their law firm clients. We started brainstorming that week, and our first law firm shoot came not long after.
The man who made that call is still one of the closest business relationships I have, and I give him the credit for the entire legal side of this company.
That was 2021. We passed the five year mark this year, and by now it is dozens of firms nationwide.
I still drive that Camry. My wife has opinions about it. It reminds me of the version of me who was door knocking, and of every month the numbers did not work, and of the fact that the call that changed everything came while I was still flat on that couch. When something looks lost now, that car is the argument that it usually is not.
Commercials is the premium word for what we make, and it matches how we work. The service is white glove, and we wanted the name to say so before anyone reads a line of copy. We also do a fair amount of genuine commercial work and we intend to keep that door wide open.
A benchmark is the number a company is trying to reach. That is the whole job. We help companies, and now law firms, reach their benchmarks through strategic video.
Those first years of law firm work were white-labeled through marketing companies. Standard brand story videos, well made, much like everyone else’s.
Then our public work shifted to recovery. I have personal connections to people who have struggled with addiction and mental health, and I wanted to make a difference there.
That work changed how I think about video permanently, because the ask was so much harder. You are trying to persuade someone in active addiction to get on a plane and travel to a facility in another state. Often they have already been to a facility. Often it did not work, and the experience was bad. Nothing about your video is going to be believed on credentials.
What worked was a specific order. Make the person feel understood. Only then can they trust you. Only once they trust you can they believe things might actually turn out differently, and only then will they act.
We have had people watch a video and travel across the country to a facility because of it. That is not a claim I make lightly, and it is the reason I trust the structure.
Someone looking for a personal injury attorney is in the opposite position. It is usually their first time, and they are hoping to find the right firm rather than dreading another wrong one. But the human part is identical. They are frightened, they are out of their depth, and they are deciding on feel.

We filmed a family for Byrd Davis in Austin. Their daughter Willow was six, in a car on the highway, hit by a drunk driver. She survived. Her life changed completely.
I have a daughter with the same blonde hair, a year or two younger than Willow. The whole thing reached me somewhere I was not ready for.
The firm took it to trial and won a $112.9 million verdict in Travis County, the largest personal injury and dram shop verdict in that county to date. A verdict, not a settlement. Their result, not ours.
I went to the house expecting to hear about the number. Any video producer would. It never came up. Not once.
What they talked about was how much the attorneys cared, and how they fought the case as if it were their own. We were in the house for hours. Willow’s monitor was going through the interview and her mother kept getting up to go to her. They hosted us for the entire afternoon. They gave us stickers with Willow’s face on them for a campaign against drunk driving.
Driving away I could not stop thinking about one thing. This family was lucky. They found a firm that fought like that. What happens to the family that does not, at the worst moment of their life, choosing between websites that all say the same thing?

There are attorneys with real skill, real care and a real appetite for the fight, whose caseload does not reflect any of it. They are up against firms with enormous advertising budgets and their name on every billboard. Meanwhile the people who most need them cannot find them. That is not fair to either side, and it is what I am trying to fix.
Because it is the part that decides whether any of this works. I know what the edit needs while we are still shooting, so I know which line we do not have yet and how to go back for it. I can make an interview a fraction of its length if the day slips, because I know exactly which words matter.
And because when a client starts talking about the worst thing that ever happened to them, I usually cannot keep it together either. That is not a technique. But it does tell the person in the chair that this is real, and they stop performing.

It looks like a conversation. It is a series of deliberate moves.
I start easy and chip away. The vulnerable questions, the ones that are hard to answer, do not come until I can feel that the person is fully with me. My crew knows not to interrupt me during that stretch for any reason, because breaking it costs an hour.
People tell me afterwards that it felt like a therapy room. Part of that is that I am genuinely curious and I say so. Part of it is eye contact, nodding, making it completely fine to fumble an answer and start again. And part of it is that I am two or three questions ahead the whole time, steering toward the thing we actually need.
Attorneys often start out sounding like they are delivering a keynote, trying to match some other attorney’s video. So I tell them the truth. I can make almost anyone sound like a polished speaker. My editors are very good and the tools are very good. What I cannot do is make it sound later like it came from your heart. So do not perform. Just tell me what you actually think.
That usually settles people immediately, including the ones who arrived certain they would be terrible on camera.
I have interviewed people who are genuinely famous and it does not change how I run the room. Everyone has something on their plate, everyone is trying to get somewhere, and I think people can tell when you actually see them that way.

I can make anyone sound polished. What I cannot do is make it sound later like it came from your heart.
An attorney once asked me how I could possibly be so confident we would do a good job. I told him that if we did not, I would have failed myself, my family and my team, because I have no intention of being the kind of business that takes money and delivers something adequate.
I would rather be poor and honest than rich and dishonest. That sounds like a line. It is the actual standard, and it is why I will tell you when something will not work instead of selling it to you.
The rest of it is straightforward. I have never had a law firm client who was not happy, and you are welcome to call any of them. We do not let anyone fall through the cracks, partly because a happy client is the only marketing that has ever worked for us, and partly because I want these attorneys to win. The people looking for them deserve to find them.

I have three young kids and I am strict with myself about being present for them, phone down.
One thing surprises people. I keep their screen time very limited, and it is because of what I do rather than in spite of it. I know how much intent sits behind a video, including the ones that look like nothing.
Common questions
I do, on every project, without exception. I am the producer on every Benchmark Commercials shoot and I ask the questions myself. The lead cinematographer is the same person every time as well.
Over a thousand across my career, counting every industry I have worked in. Hundreds of those are attorneys, their clients, their staff and their clients’ families.
The legal work started in 2021 and we passed the five year mark this year. I have been producing video professionally for over ten years, and the years before law were nonprofits and then companies with revenue targets.
Because the interview is the part that decides whether any of it works. I know what the edit needs while we are still shooting, so I know which line we do not have yet and how to go back for it. Handing that to someone else means finding out in post that the answer is not there.
Hollywood, Florida. We travel to firms anywhere in the country and travel is included in the package price.
In short
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